DIRECTION TECHNIQUES

Paper Code: 
BMA 312
Credits: 
03
Periods/week: 
03
Max. Marks: 
100.00
Objective: 

This course will enable the students to

  1. Build the direction ability to analyze a scripted scene or sequence, develop a unique vision derived from thorough text analysis, and then communicate his or her vision effectively to an audience through carefully designed camera movement and choreographed actor staging.

 

Course Outcomes (COs):

Learning Outcomes

 (at course level)

 

Learning and teaching strategies

Assessment Strategies

Students will  :

CO81.    Link and correlate direction techniques and directors responsibilities.

 

CO82.    Articulate the shooting ratio and subject reference position for shooting.

 

CO83.    Relate Objective/subjective shooting and Line of action.

 

CO84.    Film various shots based on rules.

 

CO85.    Compose and write scripts according to the genre and theme.

Approach in teaching:

Interactive Lectures, Discussion, reading assignments, Group activities, Teaching using advanced video tools, Film screening.

 

Learning activities for the students:

Self-learning assignments, Effective questions, Seminar presentation, Giving tasks.

 

Assessment Strategies

Class test, Semester end examinations, Quiz, Solving problems in tutorials, Assignments, Presentation, Individual and group projects

 

 

9.00
Unit I: 

Introduction to direction and director, Responsibilities & of the director in shooting a movie. How do we see- the line

 
9.00
Unit II: 

Objective & subjective shooting, Line of action, 180 degree rule planning out layouts and props. The mood of a particular scene.

 
9.00
Unit III: 

Introduction to Shot, types of shot, Elements of a shot- Motivation, Information, composition, sound, Camera Angle, Continuity,

 

9.00
Unit IV: 

Director’s take on script articulation and screenplay.Planning of the whole story.Duration of a particular scene.Division of the storyboard, Text analysis and articulation of ideas.Techniques of set composition, blocking and movement.Time management, staging, rehearsal schedules, scene work.

 

9.00
Unit V: 

Overlapping action and shooting ratio, .subject reference position for shooting- Headroom, Nose room, Foot room. Being the CEO at the set.Bringing out the ideas into implementation from the creative crew.

 
ESSENTIAL READINGS: 
  1. Roy Thompson “Grammer of the shot” Focal Press (1998).

  2. Steven d. Katz, “Film Directing- Shot by Shot visualizing from concept to screen” Michael Wiese Productions (1991)

  3. Lafe Locke, “Film Animation Techniques: A Beginners Guide and Handbook”, Better way Books (1 May 1992).

 

REFERENCES: 
  1. Tony White, “The Animator's Workbook: Step-By-Step Techniques of Drawn Animation”, Watson-Guptill; Reprint edition (1 September 1988).

  2. Francis Glebas, “Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation”, Focal Press (15 October 2008).

  3. Kit Laybourne and John Canemaker, “The Animation Book: A Complete Guide to Animated Filmmaking--From Flip-Books to Sound Cartoons to 3- D Animation”, Three Rivers Press; 2nd Revised edition edition (22 December 1998).

 

Academic Year: